Tuesday, May 31, 2011
What Was Your Favorite Craft?
Elise Richman:
"I loved making candles as a kid. The process involved amazing transformations and vats of heated wax seemed like witches' cauldrons. Candle crafts feel very elemental. I was rapt watching candle wax melt like ice bergs into pools of lava. Candles are shape-shifters of a sort becoming layered rainbow stars, solid scented blocks, dipped tapered stalks or just about anything.
I could never master any crafts involving yarn and hooks. I always blamed my left-handedness but know this is a poor excuse since I'm certain many south paws are knitting/crocheting fiends. My fingers get twisted and I can't manage the delicate intricacies of casting on, stitching and knotting. This was a source of shame when knitting became hipper than cupcakes or being in a band."
http://www.eliserichman.com/
Graham Bell:
"My favorite was always drawing "boycentric" drawings. Of cars and dinosaurs and robots.
My trouble was when it was realized by my teacher that I was just tracing out of a book with exceptionally thin paper and then adding on my own touches. Usually having to do with dino-robot-cars. Zoom. Rawr. Beep.
Also I really liked gluing construction paper to itself with a gluestick. Never Elmer's. The slow-drying time was a definite negative."
Lisa Kinoshita:
"As a kid I made daisy chains, also chains folded from Doublemint gum wrappers. Early inklings of jewelry making..."
http://www.lisakinoshita.com/
Shannon Eakins:
"That's a hard question for me, but I had a special love of that clay that you made from flour, salt, and water (an early self-drying clay?). I remember making figurines, and miniature girl-scout cookies with it. The best part was using my mom's clear nail polish (shhhh!) to seal my creations, always before they were completely dry, and then watching the mold grow."
http://www.shannoneakins.blogspot.com/
Jennifer Adams:
"When I was a kid, I enjoyed cross-stitch. Before heading to a friend's mountain cabin for two summertime weeks, we would head to the sewing store. My mom allowed my sister and me to pick up a little cross-stitch kit to pass the time when we weren't hiking, reading, playing UNO or saving mountain dogs.
Now I enjoy knitting, which I am terrible at, and needle felting, which sometimes scares me because the needle is so big and barbed, and moving in such a fast stabbing motion!
I have always wanted to whittle little animals out of wood, but am afraid of cutting myself to ribbons. As a kid, I tried with soap. I ended up with a chunk of chopped up soap and a mad dad."
Colleen Maloney:
"My favorite craft is also a favorite family memory. When we were kids we got to decorate our own Christmas tree. So we sit on the floor and make our own ornaments out of straws, pipe cleaners, glitter, egg cartons and whatever else we could find. The only challenge was cleaning up the Elmer's glue and glitter on the coffee table."
Marc Dombrosky:
"At the time, it felt more like an intensive training mission than a *craft*, but my brother and I would build extensive arsenals out of white paper and Scotch tape that we would then emblazon with insignias--Thundercats, Ho!--code numbers, buttons, and secret messages meticulously drawn in black marker. Telescoping swords would have components that would augment their use, like robotic gloves, secret compartments full of paper throwing stars and a shoulder strap. A shoulder strap?"
http://www.marcdombrosky.blogspot.com/
Revisiting craft projects culled from how-to books from the 1960s to the 1980s, Assignment: Crafty asked artists to explore three randomly assigned projects taken from these books. Artists were given the freedom to create one, two or all three projects, and encouraged to modify, combine and interpret the projects in any way through the filter of their own artistic practice.
Come see contemporary perspectives on fish printing, bottle gardens, rock creatures, Ojos de Dios and more from the following artists: Jennifer Adams, Jessica Bender, Peter Lynch, Matt Johnson, Ann Darling, Lauren Faulkner, Chris Sharp, Colleen Maloney, Elise Richman, Saya Moriyasu, Tobin Eckholt, Maria Jost, Meghan Mitchell, Lisa Kinoshita, Jennifer Peters, and Terry Dew.
Assignment: Crafty is curated by Ellen Ito and is on view at the Telephone Room Gallery from June 4-30, 2011. The opening is on June 4 from 5-9 p.m. Viewable by appointment almost anytime afterwards -- email us at thetelephoneroom@gmail.com for an appointment.
Thursday, October 22, 2009
PLASMA
http://marcdombrosky.blogspot.com/
http://battlebornlv.blogspot.com/
Marc Dombrosky, PLASMA. Embroidery on found envelope. 2009.
"I don't know if the writing on the envelope is a reminder for dropping off or picking up.
The envelope is from the Department of Social and Health Services.
It's also printed on recycled (resurrected?) paper, which probably had a prior life somewhere:
http://en.wikipedia.org/wiki/Paper_recycling
And plasma? In Tacoma, you can donate here: www.cascadebloodcenters.org
Plasma is: http://en.wikipedia.org/wiki/Blood_plasma
Tru Blood: www.trubeverage.com
Sleep all day, party all night, never grow old."
—Marc Dombrosky
Marc Dombrosky lives and works with his wife Shannon Eakins in Las Vegas. He has had solo exhibitions at Portland Art Museum and Platform Gallery Project Space, and his works have been shown at Tacoma Art Museum; Museum of Northwest Art, La Conner, WA; Whatcom Museum of History and Art, Bellingham, WA; d.e.n. contemporary, Los Angeles; PDX Contemporary, Fourteen30, and Gallery Homeland, Portland; Davidson Contemporary, SOIL Artist Collective, and the Center on Contemporary Art, Seattle, as well as the traveling exhibition "Skirting the Line: Conceptual Drawing" (organized by DePauw University, Greencastle, IN). Upcoming projects include a solo exhibition at Platform Gallery (2010) and inclusion in the exhibition Traces, at the Gregg Museum of Art & Design in Raleigh, NC (2011). He is currently an adjunct professor at University of Nevada Las Vegas and holds an MFA from The Ohio State University. His projects are represented by Platform Gallery in Seattle.
Undead is a group exhibition inspired by braineaters and bloodsuckers. On view from October 7 - 31, 2009 in the Telephone Room Gallery. Viewable by appointment almost anytime—don't be scared, email us at thetelephoneroom@gmail.com.
Wednesday, October 21, 2009
Coffins... Coffins filled with earth
Shannon Eakins, Coffins... Coffins filled with earth, Tacoma dirt, Las Vegas dirt, polymer clay, postage, 2009.
Shannon Eakins lives and attends school in Las Vegas where she is paler and much, much older than those around her.
http://shannoneakins.blogspot.com/
http://battlebornlv.blogspot.com/
Undead is a group exhibition inspired by braineaters and bloodsuckers. On view from October 7 - 31, 2009 in the Telephone Room Gallery. Viewable by appointment almost anytime—don't be scared, email us at thetelephoneroom@gmail.com.
Wednesday, August 5, 2009
Wild Kingdom
Unfortunately, magazines have to edit their articles but we want to share with you the original article that we wrote...
Wild Kingdom
Shannon Eakins, Artist Selected by Martin Gengenbach, Ellen Ito and Heide Fernandez-Llamazares of the Telephone Room Gallery
Almost any city dweller has had an encounter with wildlife. The moment when you see a crow on the sidewalk, and you both stop short, eyes locked...is this a greeting? An acknowledgement? A silent challenge? What informs our interactions with wild animals? Do we want to tame them? Engage with them? Live among them undetected? Shannon Eakins' artwork reflects upon such moments of secret communication and explores our shared experiences with the Animal Kingdom.
While living in Tacoma for the past five years, Shannon has engaged with falcons, deer, and other animals of the Northwest. Her work doesn't simply depict animals-this is art that aims to be meaningful to animals and to beguile them: an exquisite, intricately embroidered falconry glove, an alluring installation of kinetic sculpture that mimics the sounds, sights and scents of deer mating rituals.
Shannon contemplates our shared urban environment and the animals that surround us but are not our pets. It is something we can all relate to: we've all had experiences with animals, either thrilling in the connection made ("and then it looked right at me") or not made ("and it didn't even see me").
"Dolphins may voluntarily swim with us (and have for decades, in the Bahamas), but what if I actually entice a whitetail deer into a gallery to participate in my installation, or what if that falcon actually comes when I call it? I want to see if animals can care about what I make. People seek something from wild animals even when they are not using them to fulfill a basic need. Could the same be said in reverse? I really want there to be a reason for this reciprocity and I want my work to explore that desire." --Shannon Eakins



I Made This for Us. 2008. Embroidered leather falconry glove, hood, and bronze whistle. Performance/documentation views. Dimensions variable. Photos courtesy of Shannon Eakins.
Shannon's blog: www.shannoneakins.blogspot.com
Eakins & Dombrosky: www.tacomafunmachine.blogspot.com and www.battlebornlv.blogspot.com
Shannon was a part of the Telephone Room Gallery's inaugural Hello! show (February 18 - April 30, 2009). The Telephone Room Gallery is always viewable by appointment at thetelephoneroom@gmail.com.Thursday, April 2, 2009
Congratulations to...
Matt Johnson – for receiving one of seventeen 2009-2010 Tacoma Artists Initiative Program (TAIP) grants.
Started in 1999, the Tacoma Artists Initiative Program (TAIP) is a biennial program to support individual artists who reside in Tacoma in their creation of new artwork.
...details at www.tacomaculture.org/arts/funding.asp
Jeremy Mangan – who currently has a show at The Helm gallery in Tacoma and an upcoming solo show at the Telephone Room in June.
March 19 - April 9, 2009 at The Helm
"...my current work is a series of drawings and paintings of barn or shed-like structures elevated and supported by stilts. I hope these images allude to the strength, usefulness, and beauty, but also the hubris, precariousness, and ridiculousness, of human ambition."
...more at www.thehelmgallery.com/?page_id=155
Nicholas Nyland – who currently has a show at the brand new OHGE Ltd. gallery in Seattle.
Nowhere, Anywhere, Everywhere
New work by Nicholas Nyland
March 21 - May 9, 2009
"Nowhere, Anywhere, Everywhere includes works in a range of media (painting, works on paper, paper mache and ceramics) that are a world apart."
...read and see more at www.ohgeltd.com/Ohge_Ltd/Past/Entries/2009/3/26.html
Elise Richman – who currently has a show with four other artists at SOIL in Seattle.
Forces and Formations
Kevin Bernstein, Jonathan Bucci, Claire Johnson, Chauney Peck, Elise Richman
April 1 - May 2, 2009
"Natural forces and formations provide a jumping off point, a reference that inspires each artist’s highly personal visual logic and evocative manipulation of materials."
...read and see more at http://soilart.org/archives/apr2009
Gala Bent – who currently has a show at Gallery4Culture in Seattle for the month of April.
Overgrown
April 2 – May 1, 2009
"In a dozen or so works on paper, Bent has produced an enchanting primer on the role of imagination in our understanding of reality."
...more at www.4culture.org/publicart/gallery/2008_2009/bent.htm
Shannon Eakins and Marc Dombrosky – who have an upcoming show at Fulcrum Gallery in Tacoma.
Phantasm Chasm
April 23 – May 31, 2009
Opening Reception: Thursday, April 23rd 6-10 pm
Fulcrum Social/Artist Talk: Sunday, May 10th 6 pm
"Phantasm Chasm uneasily unites some of the failed opportunities, tragic events, and myths in Tacoma’s past."
...more at www.fulcrum.oliverdoriss.com
All of these artists were nice enough to be a part of the Telephone Room's Hello! show (February 18 - April 30, 2009).
Viewable by appointment at thetelephoneroom@gmail.com.